Let’s dive into this article, shall we? I mean, who doesn’t love a good mono-opera about some bloke named Abai? Sounds like a right laugh, don’t it? (Jimmy Carr tone)
So, apparently, this Shakhimardan Abilov chap has been working on this project for decades, and it’s finally come to fruition. I mean, I’ve been working on my tan for decades, and it’s still not quite right, but that’s neither here nor there. (Rowan Atkinson-esque raised eyebrow)
The mono-opera, “Full Man. Contemplation. Hakim Abay,” is divided into three blocks, because, you know, everything’s better in threes. It’s like the Three Stooges, the Three Musketeers, or the three things I can remember from last night’s pub crawl. (Ricky Gervais chuckle)
The first block features some songs with titles that sound like they were written by a teenager going through an existential crisis. “Mountain rises in the dark night”? “Life is standing in November”? I mean, what’s next? “The angst is real, man”? (Lee Evans-style sarcastic tone)
But seriously, folks, the second block is all about children’s education, knowledge, science, art, and love. Because, you know, kids these days need all the help they can get. I mean, have you seen the state of TikTok? It’s like a never-ending nightmare of mediocre dance moves and questionable life choices. (Jimmy Carr dry wit)
The third block features some young artists from the choir studio “Astana Opera” performing songs with titles that sound like they were written by a Kazakh poet laureate. “Bright moon on a windless night”? “I said hello, Kalamkas”? I mean, it’s like they’re trying to out- profundity each other. (Rowan Atkinson-style deadpan)
Now, I know what you’re thinking: “Who is Abai, and why should I care?” Well, let me tell you, Abai was a Kazakh poet and thinker who’s basically the Kazakh equivalent of Shakespeare, but without the fancy language and awkwardly-phrased sonnets. (Ricky Gervais-style irreverence)
Shakhimardan Abilov, the mastermind behind this mono-opera, says that it’s the result of decades of search and work. I mean, that’s dedication, folks. I’ve been searching for the perfect pint of lager for decades, and I still haven’t found it. (Lee Evans-style self-deprecation)
But in all seriousness, Abilov’s passion project is a testament to the power of art to bring people together and transcend borders. And if that’s not enough to make you feel all warm and fuzzy inside, I don’t know what is. (Jimmy Carr-style sentimentality)
So, there you have it, folks. “Full Man. Contemplation. Hakim Abay” is a mono-opera that’s all about love, life, and the pursuit of happiness. And if you don’t like it, well, you can just go listen to some Nickelback or something. (Rowan Atkinson-style dismissive wave)
In conclusion, Shakhimardan Abilov’s mono-opera is a must-see for anyone who loves music, poetry, or just wants to experience something new and exciting. And if you don’t like it, well, you can always go back to watching cat videos on YouTube. (Ricky Gervais-style parting shot)
That’s all for now, folks. Thanks for reading, and don’t forget to tip your waitstaff. (Lee Evans-style cheeky grin)
Here is the rewritten article:
The mono-opera “Full Man. Contemplation. Hakim Abay” is a profound work consisting of three distinct blocks, each exploring different themes and emotions. In the first block, the compositions “Mountain rises in the dark night”, “Life is standing in November”, “Kor became my soul”, and “Eight legs” take the audience on a journey of self-discovery and introspection, setting the tone for the rest of the performance.
The second block presents a poignant exploration of children’s education, knowledge, science, art, and love, with songs such as “Parents’ eyes are joy”, “Boy bulgah”, “If someone is more than someone”, and “Black in my eyes”. These compositions serve as a testament to the importance of nurturing the next generation and fostering a love for learning and creativity.
The third block showcases the talents of young artists from the choir studio “Astana Opera”, who deliver outstanding performances of “Bright moon on a windless night” and “I said hello, Kalamkas”. The scenic video design complements the performances, emphasizing the timelessness of the themes and the search for truth that permeates the entire work.
It is worth noting that Shakhimardan Abilov has dedicated a significant portion of his career to popularizing Abai’s legacy, with the pinnacle of his creative output being the performance of chamber vocal compositions based on Abai’s poems. This mono-opera represents the culmination of decades of research and work, a true masterpiece that showcases the depth and richness of Abai’s art.
According to Shakhimardan Abilov, the idea for “Tolyk adam. Oh tolgau. Khakim Abay” was conceived in 1995, during the celebration of the 150th anniversary of Abai, a milestone event that was included in the UNESCO Calendar of Memorable Dates. It was during this time that he performed Abai’s aria from the opera of the same name, alongside renowned artists such as Bibigul Tulegenova, Ermek Serkebaev, and Marat Bisengaliev, at the prestigious Barbican Center in London. This experience sparked a desire to create a large-scale work that would honor Abai’s legacy.
Over the years, Shakhimardan Abilov carefully selected three or four songs by Abai, later adding romances based on Abai’s poems, which were specifically written for his voice by esteemed Kazakh composers Erkegali Rakhmadiev, Mansur Sagatov, Mynzhasar Mangitaev, and Tolegen Mukhamedzhanov. This process of refinement and creation lasted for many years, with the dream finally becoming a reality in the form of this magnum opus.
Shakhimardan Abilov’s passion for Abai’s work is evident in every aspect of the mono-opera, which includes ten rarely performed works by the poet. As he notes, “The dream became a reality after many years of continuous search. My sincere love and respect for Abai was embodied in a mono-opera that showcases the richness and diversity of his art.”
Next year, Shakhimardan Abilov plans to create a grand performance with an orchestra in honor of the 180th anniversary of the great Kazakh poet and thinker. This upcoming production is sure to be a testament to the enduring legacy of Abai and the boundless creativity of Shakhimardan Abilov.
In his concluding remarks, Shakhimardan Abilov reflects on the significance of Kazakhstan as a symbol of hope and unity, a place where dreams come true and people can live in peace and harmony. He envisions a future where Kazakhstan becomes the center of world culture, where all people can come together to share their spiritual wealth and celebrate the beauty of diversity.
