A sculpture with an estimated value of $3 millionwhich was used for years as door stop on an industrial site in Scotlandis expected to be sold, subject to court approval. The sculpture, the “Bouchardon Bust“, was created in the early 18th century by the French sculptor Edmé Bouchardon and depicts John Gordon, an important figure and founder of the town of Invergordon.
Originally, in 1930, it was purchased by Invergordon Town Council for its local exhibition, but was ultimately never displayed and was found in 1998 to be used to hold a door open. In 2016, the bust was loaned to the Louvre Museum and in 2017 to the Getty Museum in Los Angeles, causing great interest in collectors’ circles.
In the latest development, a private collector has offered over £2.5 million to purchase the work, with a commitment to fund the creation of an exact replica for the local community. The City Council has launched a public consultation, and after the court’s approval, it is expected to decide whether the work will be designated a “national treasure” – which could limit its export abroad, according to the Waverley criteria.
The discovery of this sculpture and the current process of selling it shed light on the history and significance of the work for local and national heritage.
Source: CNN
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What are some strategies for preventing future instances of valuable artworks being overlooked or misused?
**(Host):** Welcome back to the show. Joining us today is Dr. Fiona McGregor, art historian and expert on 18th century French sculpture. Dr. McGregor, this story about the Bouchardon Bust being used as a doorstop has captured everyone’s imagination. It’s worth millions, but for decades, it was just propping open a door. What are your thoughts on this remarkable turn of events?
**(Dr. McGregor):** It’s truly astonishing, isn’t it? I think it raises fascinating questions about how we value art. Should a priceless work be relegated to such a mundane purpose? Or was its rediscovery and appreciation truly serendipitous?