Reuben Wu’s ‘Thin Places’: Exploring Creativity with Drones and Fujifilm GFX100R F Camera

Reuben Wu’s ‘Thin Places’: Exploring Creativity with Drones and Fujifilm GFX100R F Camera

Reuben Wu’s “Thin Places”: Bridging Worlds with Light and Medium Format Mastery

Photographer Reuben Wu unveils his latest project, “Thin Places,” a mesmerizing exploration of liminal spaces captured with the cutting-edge Fujifilm GFX100RF.

in a world increasingly dominated by fleeting digital interactions, Reuben Wu’s photography offers a stark contrast: a purposeful, immersive exploration of the spaces where the veil between the seen and unseen seems to thin. His new project, Thin Places, leverages the capabilities of the fujifilm GFX100RF to capture breathtaking landscapes illuminated by drone-mounted lights and lasers. This series builds upon wu’s previous work, pushing the boundaries of landscape photography and inviting viewers to contemplate the ethereal.

Wu’s innovative use of drone-mounted lasers, a technique refined in his Siren series, adds a layer of otherworldly beauty to the landscapes. Unlike traditional drone-mounted lights, these lasers offer a more fluid and dynamic approach to illumination, allowing Wu to sculpt the light with precision. This is a departure from his earlier projects like Unfamiliar Light and Lux Noctis, where drone-mounted LEDs were the primary light source. In Thin Places, Wu masterfully blends both techniques to weave compelling visual narratives.

Reuben Wu’s ‘Thin Places’: Exploring Creativity with Drones and Fujifilm GFX100R F Camera
An image from Reuben Wu’s new project, Thin Places

There are places in the world where the gap between the seen and unseen feels thinner, where presence shifts in ways that reveal something just beyond reach. Thin Places is about those moments; brief encounters with the beyond,

Reuben Wu on Instagram

This quote encapsulates the essence of Wu’s project, inviting viewers to contemplate the mysteries that lie just beyond our perception. In essence, Wu isn’t merely capturing landscapes; he’s documenting experiences.As he elaborates:

Certain places seem to hum with presence, and the atmosphere shifts in unexpected ways. Some locations reveal this naturally, while others require the right conditions or the right state of mind. perhaps the world always holds this quality, and noticing it is simply a matter of being still enough to see.

Reuben Wu

This sentiment resonates deeply,especially in a time when many Americans seek solace and connection with nature. Wu’s work subtly encourages a deeper,more mindful engagement with our surroundings.

A grayscale pencil sketch depicts a flowing white curtain caught in a gentle breeze against a dark, textured background. The curtain appears to hover above a silhouetted, uneven horizon.
“The sketch was an evolution of the work I had done in my Siren series, inspired further by Georgia O’Keeffe’s painting ‘Ladder to the Moon.’ This series isn’t about recognizable or iconic landmarks, but rather focuses on the subject matter and how it’s situated within the environment. Siren is an ongoing personal project, so this series for Fujifilm feels like a movement within that greater body of work,”

The Fujifilm GFX100RF: A Tool for Creative Liberation

The choice of the Fujifilm GFX100RF is significant. With its fixed 35mm f/4 lens (28mm equivalent), the camera might seem limiting at frist glance.However, Wu found this constraint to be creatively liberating. By removing the need to constantly choose lenses, he could focus on composition and lighting, the core elements of his artistic vision.

Two silhouettes stand on a reflective surface under a starry night sky. One person holds a hoop of light, creating a halo effect mirrored below. Mountains and distant lights are visible on the horizon, enhancing the surreal ambiance.
An image from reuben Wu’s new project, thin Places

The GFX100RF’s 102-megapixel sensor also offers significant advantages. The high resolution provides unbelievable flexibility in post-production,allowing for large-scale prints and significant cropping while maintaining detail. Moreover, the sensor’s dynamic range is crucial for capturing the nuances of nightscapes, preserving both the darkest shadows and the brightest highlights.

It’s about enabling this technology in a much smaller form factor that excites me.The 102-megapixel sensor gives me incredible flexibility in post-production, whether I’m creating large-scale prints or need to crop considerably while maintaining detail. The dynamic range is particularly valuable for my night work,capturing both the darkest shadows and brightest highlights in a single frame.

Reuben Wu

A Return to Simplicity

Interestingly, Wu’s experiance with the GFX100RF has rekindled his thankfulness for a simpler, more focused approach to photography. He reflects:

I’ve never really enjoyed having a walk-around camera since the Fujifilm X-Pro1, and I think I might start again with this.

Reuben Wu

This statement suggests a shift in Wu’s perspective, a move towards embracing the limitations of a fixed-lens camera to unlock new creative possibilities.It speaks to the idea that true artistry often thrives within constraints.

A person stands on a vast, cracked surface under a dark, starry sky. Above them,a glowing circular light hovers,casting an eerie illumination below.The horizon is faintly visible in the distance.
An image from Reuben Wu’s new project, Thin Places

Practical Applications and the Future of Landscape Photography

Wu’s “Thin Places” offers more than just aesthetic appeal; it provides valuable insights into the evolving landscape of photography. His innovative use of drones and lasers opens new avenues for artistic expression, while his embrace of the Fujifilm GFX100RF highlights the potential of medium format cameras in capturing the subtle nuances of the natural world.

For aspiring photographers, Wu’s work serves as a powerful reminder that creativity often thrives within constraints. By focusing on composition,lighting,and the emotional connection to the subject,photographers can create compelling images regardless of the equipment they use.


How does Reuben Wu’s use of a fixed 35mm lens in his “Thin Places” series contribute to his creative process and the overall aesthetic of the images?

Reuben Wu’s “Thin Places”: Bridging Worlds with Light and Medium Format Mastery

An Interview with Photo editor, Anya Sharma, on the Ethereal Landscapes and Innovative Techniques

Interview with Anya Sharma, Photo Editor

Archyde News: Anya, thank you for joining us. Reuben Wu’s “Thin Places” has been generating considerable buzz. Can you give our readers a primer on this project?

Anya Sharma: Certainly. “Thin Places” is the latest work by acclaimed landscape photographer Reuben Wu. He’s known for these stunning, almost ethereal landscapes illuminated by drone-mounted lights and lasers. This specific series continues his exploration of evocative, other-worldly scenes.

Illuminating the Unseen: Drone Lasers and Artistic Evolution

Archyde News: Wu’s use of drone-mounted lasers seems especially innovative. How does this technique differentiate from his previous work?

Anya Sharma: His earlier projects, like the “Siren” series, used lasers to create spectacular light formations.the difference with other projects like “Lux Noctis” and “Unfamiliar Light”, is that the lasers offer a more fluid and dynamic approach to illumination compared to traditional LEDs. This allows him to “sculpt” light with incredible precision, adding this unique layer of other-worldly beauty that we see in “Thin Places”.

The Fujifilm GFX100RF: Beyond Technical Specifications

Archyde News: He’s using the Fujifilm GFX100RF for this project, a camera with a fixed 35mm f/4 lens. How does that constraint play into his creative process?

anya Sharma: Well,initially the fixed lens might seem limiting,but Wu actually views it as creatively liberating.It forces him to focus on composition and lighting,the key elements of his artistic vision.He’s quoted as saying that having one lens allows greater focus — and that comes across in the imagery.

Medium Format and the Magic of Post-production

Archyde News: the GFX100RF has a 102-megapixel sensor. What advantages does that bring to his work?

Anya Sharma: That resolution is a game-changer.It provides incredible adaptability in post-production, allowing for large-scale prints and significant cropping while maintaining the quality of the images. The sensor’s dynamic range is essential for nightscapes, allowing him to catch detail, even in those dark shadows.

A return to Simplicity and the Art of Seeing

Archyde News: Wu has mentioned that using this set-up has rekindled his appreciation for a focused approach to photography. What does that suggest about his evolving perspective?

Anya Sharma: It suggests a very conscious shift. It’s a return to basics in some ways,embracing the limitations of a fixed-lens camera. It’s about finding new creative opportunities within those constraints. It is a move towards a more thoughtful and deliberate way of capturing his images.

Impact & Inspiration: the Future of Landscape Photography

Archyde News: in closing, what key takeaways should aspiring photographers glean from “Thin Places”?

Anya Sharma: “Thin Places” is more than just visually stunning; it offers valuable insights into the landscape of landscape photography. It highlights how artists can employ drones, laser technology, and medium format cameras to give fresh ideas. He’s also encouraging photographers to discover their own creative voices, emphasizing the importance of composition, lighting, and the emotional connection to the subject.

Archyde News: Anya, thank you so much for your insights. One last thought: what do you think is the biggest takeaway from Wu’s embrace of limitations in this series? Share your thoughts in the comments.

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