Neil Young Rejects Dynamic Pricing, Inspired by The Cure’s Robert Smith
Table of Contents
- 1. Neil Young Rejects Dynamic Pricing, Inspired by The Cure’s Robert Smith
- 2. Young’s “love Earth” Tour and Ticket Pricing
- 3. The Problem with dynamic Pricing
- 4. Young’s Stance against Surge Pricing
- 5. Robert Smith and The Cure’s principled Stand
- 6. Ticketmaster’s Response
- 7. The Bigger Picture: Combating ticket Scalping
- 8. What You Can Do
- 9. What ticketing solution do you believe offers the fairest balance between artists’ revenue needs and fan affordability, and why?
- 10. Neil Young’s Ticket Pricing Stance: An Exclusive Interview with Tour Manager, Sarah Davies
- 11. Understanding Neil Young’s Outlook on Dynamic Pricing
- 12. The Realities of Ticketing: Dynamic Pricing and Scalping
- 13. Robert Smith, The Cure and the Fight for Fair Ticket Prices
- 14. The Future of Concert Ticketing: A more Equitable System?
- 15. An Open Question to Our Readers
Neil Young, the acclaimed singer-songwriter, is taking a stand against dynamic ticket pricing, echoing the sentiments of Robert Smith, frontman of The Cure. this move aims to make concerts more accessible to fans and combat exploitative resale practices.
Young’s “love Earth” Tour and Ticket Pricing
The 79-year-old Young, is set to headline major events this year, including Glastonbury Festival in Somerset and the BST Hyde Park festival in London, as part of his “Love Earth” tour.He is also scheduled to perform at Malahide Castle in Dublin on June 26.
The Problem with dynamic Pricing
Dynamic pricing, a practice employed by ticketing platforms like Ticketmaster, adjusts ticket prices based on real-time demand. While the company frames it as “platinum” or “in demand” tickets that “give fans the opportunity to purchase the most in demand,” critics argue it leads to exorbitant prices.
The issue gained prominence during the 2024 Oasis reunion tour ticket sales, where dynamic pricing drove prices up significantly. The band played sold-out shows in Croke park in Dublin on August 16th and 17th, 2024.
Young’s Stance against Surge Pricing
Young addressed the issue in a statement on his website, denouncing surge pricing as a “bad thing that has happened to concerts worldwide.” He explained that his team has “always tried to cover my back on the road, getting me the best deals they could” and “tried to protect me and my fans from the scalpers who buy the best tickets and resell them at huge increases for their own profits.”
Young further elaborated on his discomfort with Ticketmaster’s “high-priced Platinum tickets,” stating, “Ticketmaster’s high-priced Platinum tickets were introduced to the areas where scalpers were buying the most tickets for resale.the money went to me.That did not feel right.” He announced that “Very soon,Platinum Tickets will no longer be available for my shows.”
Rather, Young is placing trust in his fans, saying, “I have decided to let the people work this out. Buy aggressively when the tickets come out, or tickets will cost a lot more in a secondary market.”
Robert Smith and The Cure’s principled Stand
Young credited Robert Smith of The Cure as an inspiration,directing fans to Smith’s statements against dynamic pricing,saying what The Cure did was “right” to address the issue.
The cure has “previously committed to not having surge pricing on its tours.” Smith described the practice as a “greedy scam,” emphasizing the band’s commitment to affordability. Smith said: “I was shocked by how much profit is made. I thought, ‘We don’t need to make all this money’.”
Smith added, “my fights with the label have all been about how we can price things lower…The only reason you’d charge more for a gig is if you were worried that it was the last time you would be able to sell a T-shirt.”
Ticketmaster’s Response
Ticketmaster maintains that Platinum and In Demand tickets are determined by the promoter and artist. According to their website, Platinum tickets are “the most in-demand tickets to an event” aimed at providing “the most dedicated fans access to a particular event.”
In response to Young’s comments, a Ticketmaster spokesperson stated: “Ticketmaster is a marketplace that sells tickets on behalf of event organisers including sports teams, artist teams, theater producers, and so on. We respect their decisions to price their tickets how they see fit.”
The spokesperson continued: “Ticketmaster is committed to making ticketing simple and clear. Since 2018, our resale has been capped at face value, providing fans a safe place to sell tickets they can’t use at the original price set by artists and event organisers.”
Highlighting efforts to combat unfair practices, the Ticketmaster spokesperson added, “We support proposals to introduce an industry-wide resale price cap. We also urge the government to crackdown on bots and ban speculative ticket sales…Ticketmaster welcomes any action to protect fans and give them the best chance at getting tickets to the events they love.”
The Bigger Picture: Combating ticket Scalping
The controversy surrounding dynamic pricing is intrinsically linked to the issue of ticket scalping. High resale prices, such as those seen for the 2025 Oasis tour, have drawn criticism, with secondary sellers listing tickets for exorbitant amounts.Neil Young’s stance, and that of artists like Robert Smith, underscores a growing movement to prioritize fans over profit-driven resale markets.
What You Can Do
- Be Prepared: When tickets go on sale, be ready to purchase them promptly through official channels.
- Avoid Resellers: Refrain from buying tickets from secondary markets,where prices are frequently enough inflated.
- Support Artists: Attend concerts by artists who actively fight against unfair ticket pricing practices.
- Advocate for Change: Contact your representatives to support legislation that regulates ticket sales and protects consumers.
Neil Young’s decision to reject dynamic pricing, inspired by Robert Smith’s commitment to fair ticketing, marks a significant moment in the ongoing battle against exploitative practices in the concert industry. By taking a stand, these artists are empowering fans and advocating for a more equitable and accessible live music experience. Stay informed, be proactive in your ticket purchasing, and support artists who prioritize their fans’ well-being.
What ticketing solution do you believe offers the fairest balance between artists’ revenue needs and fan affordability, and why?
Neil Young’s Ticket Pricing Stance: An Exclusive Interview with Tour Manager, Sarah Davies
In light of Neil Young’s recent decision too reject dynamic ticket pricing for his “Love Earth” tour, Archyde News sits down with Sarah Davies, tour manager for several renowned musicians, to discuss the implications of this move and the broader issues surrounding concert ticket pricing.
Understanding Neil Young’s Outlook on Dynamic Pricing
Archyde News: Sarah,thank you for joining us. Neil Young has taken a firm stance against dynamic pricing, drawing inspiration from Robert Smith of The Cure. Can you shed some light on how meaningful this decision is from an industry perspective?
Sarah davies: It’s incredibly significant. Neil Young is a legendary artist with a dedicated fanbase. His decision to forgo dynamic pricing sends a powerful message to the industry that artists can prioritize accessibility for their fans over maximizing short-term profits. It puts pressure on other artists and ticketing platforms to reconsider these practices.
The Realities of Ticketing: Dynamic Pricing and Scalping
Archyde News: Dynamic pricing,championed by companies like Ticketmaster,adjusts prices based on demand. Is this truly beneficial for fans, or does it primarily serve the interests of the ticketing platforms and resellers?
Sarah Davies: That’s the million-dollar question. While the argument is that it reflects market value and prevents scalpers from underselling tickets, the reality is that it frequently enough leads to exorbitant prices that many fans simply can’t afford. It becomes a self-fulfilling prophecy: high demand drives prices even higher, pricing out genuine fans. The connection with ticket scalping is undeniable as this high resale prices are incentivised by it.
Robert Smith, The Cure and the Fight for Fair Ticket Prices
Archyde News: Neil Young specifically mentioned Robert Smith and The Cure’s commitment to fair ticket pricing as an inspiration. What impact has The Cure had on this issue?
Sarah Davies: Robert Smith has been incredibly vocal and proactive. He’s actively fought against excessive fees and dynamic pricing,forcing Ticketmaster to make concessions.his actions have resonated deeply with fans and other artists, creating a much-needed conversation about ethical ticketing. their commitment demonstrates that artists can successfully prioritize their fans’ financial well-being.
The Future of Concert Ticketing: A more Equitable System?
Archyde News: Looking ahead, do you see a viable choice to dynamic pricing that could benefit both artists and fans?
Sarah Davies: There are definitely options. Verified Fan systems, where potential buyers register beforehand and are vetted to reduce bot activity, can help. Implementing stricter resale price caps is another. ultimately, it requires a collaborative effort from artists, ticketing platforms, and legislators to create a system that prioritizes fair access and combats exploitative resale practices. We also need to encourage fans to avoid the secondary market, as Neil advised.
An Open Question to Our Readers
Archyde News: Sarah, thank you for yoru insights. we’d like to pose a question to our readers: What ticketing solution do you believe offers the fairest balance between artists’ revenue needs and fan affordability, and why? Let us know in the comments below.
Sarah Davies: thank you for having me. I look forward to reading what the readers have to say!