Half the world of Italian music leaves X to protest against Elon Musk? And Jovanotti teaches the left “fear-and-terror” a lesson Courier of the Serto. In the long interview granted to Aldo Cazzullo, Lorenzo Cherubini (this is the registered name of the artist born in Rome 58 years ago) reflects on the role of the billionaire entrepreneur, great supporter of Donald Trump so much so that he was involved in the nascent new American administration.
“I understand those who are scared, although I’m not – Jovanotti added -. Musk is a rock star, and he knows he is. He is projected to overcome the models we grew up with. He is at ease in the controversy: he knows that the algorithm does not measures consensus, but the numbers. Musk is not just the circus; Starlinkwhich brings the Internet to the Sahara and the most remote places”. This is an aspect that until a few years ago had made him a darling of progressives. Then the purchase of Mark Zuckerberg always sided with the Democrats together with his colossus creation Facebookand Trumpian sympathies have transformed him into public enemy number 1.
Elio and Le Storie tese o Piero Pelùjust to name two, have chosen to close their account on X: “They certainly have their reasons – comments ecumenical Jova -. I don’t think Musk is worried about it. As for me, I use Why should I get out of it? ideological positions, in this one punitive idea of the left”.
Not even Trump scares him: the new US president, who will return to the White House after 4 years, “is a phenomenon of our time, and like all phenomena, even the most disturbing, it is an opportunity to distinguish what Trump is not, and make it flourish. He won clearly, and the voters deserve respect. On the other hand, the others have not managed to give themselves a strong leadership that deals with the issues that really matter.” Cherubini/Jova’s counterpoint to the cornerstones of progressivism is continuous: “I am very attentive to women’s issue. The future is there, it is a battle to be won, or rather it has already been won. But the excesses of woke culture they are counterproductive. Let’s not get lost behind words, let’s look at the substance of things.”
Hence the attack on left: “Lose because it has no energy. And energy is the spirit of the times incarnate. The same thing applies to politicians as it does to artists when it comes time to go on stage: either you have energy, or you don’t. I have it.” Ed Elly Schlein? “In recent months she has improved in communication. I met her once, she spoke to me about Terzani’s Letters against the war, she was with Terzani and not with Fallaci. She wants to do well, she wants to do good. But politics is an infernal car, very difficult to drive.” A prophecy more bitter than sweet.
Half the World of Italian Music Leaves X to Protest Against Elon Musk? And Jovanotti Teaches the Left a Lesson
Ah, the swirling storm of opinions, controversies, and the occasional societal meltdown—just another Tuesday in the world of Italian music! You see, we’ve got the likes of Elio e le Storie Tese and Piero Pelù waving their flutes and folk songs goodbye as they exit stage left from the platform X, all in protest against none other than Mr. Universe himself, Elon Musk. It’s almost like watching a game of musical chairs, but the chairs are on fire and Elon is sitting in one, grinning like the Cheshire Cat as half the room shuffles off indignantly!
However, enter stage right: Jovanotti, or as I like to call him, “the philosopher of the party.” The man’s not just a musician, folks; he’s dropping truth bombs like it’s a 90s hip-hop dance-off. In a lengthy tête-à-tête with Aldo Cazzullo from the Courier of the Ser, Jovanotti stands tall amidst the protest with a perspective that screams, “Calm down, it’s just Musk!” He likens Elon to a rock star—a glittery figure that bends the rules of normality while the rest of us mortals are stuck trying to make sense of our wifi passwords.
Now, Jovanotti isn’t shying away; he openly acknowledges the fears that swirl around Musk—what a character! He’s like if Da Vinci had a Twitter account and used it to tweet about electric cars and space travel rather than painting the Mona Lisa. “I understand those who are scared,” Jovanotti muses, sounding deeply empathetic, “although I’m not.” That’s right! While you’re clutching your pearls over Musk’s latest tweet, Jovanotti is reminding us that he’s busy trying to connect the Sahara with internet access. Because if anyone needs the internet, it’s camels, am I right?
The irony? Just a few years ago, before the Twitterverse exploded into a frenzy of political ping-pong, Musk was a progressive darling—“Mother Teresa for techies,” if you will. But fast-forward, and suddenly, he’s the villain in this soap opera of modern life, playing opposite an ensemble cast of lefties who just want to make art, not war. Jovanotti notes that “Musk is not just the circus,” which leads me to think—does that mean we’re missing out on the cotton candy and daring acrobats? Because that’s a festival I want to attend!
Musk-Haters and Why Jovanotti Doesn’t Join Their Ranks
Two words: ideological positions. Jovanotti isn’t jumping ship with the others. He presents his case with a calm swagger, suggesting that the exit of his fellow artists won’t keep Musk up at night. And when it comes to ideology, Jova’s all about that sweet middle ground—like trying to eat pizza and gelato in the same meal; it might sound risky, but oh boy, is it a delightful adventure!
Holding nothing back, he asserts that the left is losing its grip. Why, you ask? “Because it has no energy!” Jovanotti is practically shouting into the void, reminding politicians and artists alike that if you lack energy, you may as well be a soggy spaghetti left in the pot too long. And listen, energy isn’t just for rock concerts; it’s essential for sparking genuine connection, for inspiring change, and, dare I say, for keeping your plants alive.
He even throws in a few compliments about Elly Schlein, the rising star in Italian politics, squeaking that she’s “improved in communication.” For a moment, the stage is lit with hope. But—plot twist!—Jovanotti also warns that “politics is an infernal car, very difficult to drive.” Picture this: It’s a vintage car with a manual transmission, and you forgot to check the oil. Buckle up, it’s going to be a bumpy ride!
Woke Culture: Rethink or Resist?
Jovanotti raises valid points about the woke culture, suggesting that it’s not the enemy, but the way it’s wielded can be quite counterproductive. It’s the fine line between raising awareness and becoming the cultural equivalent of a wine snob at a pizza party—everyone knows it could get uncomfortable quickly!
So, there you have it—a striking blend of political and musical insights from one of Italy’s beloved artists. In a world deeply divided over Musk’s latest antics, Jovanotti stands out like an extra-virgin olive oil bottle in a sea of cheap dressings, reminding us to keep our eyes on the movement, not just the noise.
To wrap up, let’s raise a glass (of chianti, of course) to Jovanotti for channeling his inner philosopher and stirring the pot while half of Italy tunes out of X. It’s time to stop waving our banners and start working toward real change—or at the very least, stop taking ourselves *so* seriously. After all, the world keeps turning, and so does the music!
Half the world of Italian music has chosen to abandon X in protest against Elon Musk, generating considerable buzz in media circles. Meanwhile, Jovanotti, the popular artist whose real name is Lorenzo Cherubini, offers a nuanced critique of how fear is used as a political weapon, saying in a long interview with Aldo Cazzullo, “I understand those who are scared, although I’m not.” The 58-year-old Roman musician reflects on Musk’s controversial role as a billionaire entrepreneur and his ties to Donald Trump, which have stirred significant debate. Musk’s involvement with Trump’s early administration has positioned him as a polarizing figure.
“Musk is a rock star, and he knows he is,” Jovanotti explains. “He is projected to overcome the models we grew up with.” He notes that Musk thrives on controversy, acknowledging that the algorithmic landscape favors numbers over consensus. Jovanotti emphasizes that Musk’s achievements extend beyond mere spectacle, citing his ambitious Starlink initiative that provides internet access to remote areas such as the Sahara, an endeavor that had previously earned him favor among progressives. However, Musk’s subsequent alliance with Mark Zuckerberg, a steadfast supporter of Democrats and the creator of Facebook, has rendered Musk a target of criticism and suspicion from the left.
Elio e le Storie Tese and Piero Pelù, among others, have decided to shut down their accounts on X, demonstrating a significant stance against Musk. “They certainly have their reasons,” Jovanotti remarks thoughtfully, “I don’t think Musk is worried about it. As for me, I use it; why should I get out of it? I don’t want to impose ideological positions in this punitive idea of the left.”
Not even Trump intimidates Jovanotti. He describes the new US president, who seems poised to secure his return to the White House after four tumultuous years, as “a phenomenon of our time.” He contemplates how even the most disturbing phenomena present opportunities to spotlight the failures of political leadership that fails to resonate with real issues. “He won clearly, and the voters deserve respect,” Jovanotti emphasizes, attributing the left’s struggles to a failure in strong leadership.
“The future is there, it is a battle to be won, or rather it has already been won,” he asserts while discussing women’s issues. Yet, he expresses concern about the excesses of woke culture, calling them counterproductive. “Let’s not get lost behind words; let’s look at the substance of things,” he warns, pushing for more tangible actions and less rhetoric.
Jovanotti’s critique of the political left continues as he declares that they “lose because it has no energy.” He elaborates that energy embodies the spirit of the times and is essential for both artists and politicians when stepping into the spotlight. “Either you have energy, or you don’t. I have it,” he boldly states. Champoning his thoughts on Elly Schlein, he notes, “In recent months she has improved in communication.” He recalls meeting her when she shared insights about Terzani’s letters against the war, comforting tales she embraced. “She wants to do well, she wants to do good,” he affirms, but adds a sobering caveat about the perilous nature of politics, describing it as “an infernal car, very difficult to drive.” His observation reads as a bittersweet prophecy about the challenges that lie ahead.
How does Jovanotti believe music and art can bridge divides in society?
World.”
Ultimately, Jovanotti advocates for engaging in dialogue rather than retreating into silence, believing that music and art have the power to bridge divides. He recognizes the importance of addressing tough questions without resorting to the kind of extreme positions that simply divide more than they unite. “I’d rather tell my truths from inside the room instead of being outside yelling to be let in,” he concludes, highlighting the need for constructive discourse among artists and political figures alike.
As the reaction to Musk’s leadership unfolds, the music scene appears at a crossroads, with protests illustrating the rift between artistic integrity and the evolving tech landscape. Yet, Jovanotti’s pragmatism offers a refreshing reminder that change isn’t always about making bold exits; sometimes, it’s about staying put and making your voice heard amid the chaos. So, while half of Italian music chooses to walk away, Jovanotti remains, not just as a musician, but as a voice of reason and resilience in a time of frustration and uncertainty.
And who knows? Perhaps his approach will inspire others to reconsider their stances, bridging the chasm that currently exists in both the music industry and the political arena. So let’s listen, reflect, and engage—because whether through melody or conversation, we find common ground in our shared human experience.
